Rolandlieder Album Acordes
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Autor rolandus.heer [a] 33. Última edición el 30 oct 2023
Acordes
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This is the highly anticipated ongoing anthology of "Rolandlieder". Someone had to do it, so here we go.
These songs are primarily suited for ukulele, or at least the background information is for ukulele only.
Do they work on any other Instrument? Probably, but don't call me out on that...
That out of the way, have fun!
Songs in Order of appearance:
50 Ways to leave your Lover
A Song about Acne
Aint she sweet
Are you sitting Comfortably
Awkward Duet
Bi Ba Butzemann
Birthday Song
Down
Dream a little Dream of me
Driving Home for Christmas
Enormous Penis
Geheimer Tunnel
Hat Pizza Hut Pizza?
Hauch mich mal an
Kühlschranklied
Liebe macht blind
Martin was a Monkey
Matrimony
Me and Julio Down by the Schoolyard
Nighttrain to Munich
Not Perfect
Patricia the Stripper
Rawhide
Real Love
Rennrad
Screw You
Skin Sofa
The Boy in the Bubble
Tiere im Kakao
Välj Mig
Watching the World go by
Where do you get your Food from Grandma?
##############################################################################################################
50 WAYS TO LEAVE YOUR LOVER
- Paul Simon
All those funky chords should be shaped like this:
G C E A
D6 2 2 2 2
Cm7 0 0 0 2
D#dim7 2 3 2 3
Gm7 0 2 2 2
B7* 4 3 2 0
[Intro]
Em D6 Cm7 B7
Em D#dim7 Gm7 B7*
Em D6 Cm7 B7
Em Am Em
[Verse]
Em D6 Cm7 B7
The problem is all inside your head, she said to me
Em D#dim7 Gm7 B7*
The answer is easy if you take it logically
Em D6 Cm7 B7
I′d like to help you in your struggle to be free
Em Am Em
There must be fifty ways to leave your lover
[Verse]
Em D6 Cm7 B7
She said, it's really not my habit to intrude
Em D#dim7 Gm7 B7*
Furthermore, I hope my meaning won′t be lost or misconstrued
Em D6 Cm7 B7
But I'll repeat myself at the risk of being crude
Em Am Em
There must be fifty ways to leave your lover
Em Am Em
Fifty ways to leave your lover
[Chorus]
G
You just slip out the back, Jack
Bb
Make a new plan, Stan
C
You don't need to be coy, Roy
G
Just get yourself free
G
Hop on the bus, Gus
Bb
You don′t need to discuss much
C
Just drop off the key, Lee
G
And get yourself free
G
Ooh, slip out the back, Jack
Bb
Make a new plan, Stan
C
You don′t need to be coy, Roy
G
You just listen to me
G
Hop on the bus, Gus
Bb
You don't need to discuss much
C
Just drop off the key, Lee
G
And get yourself free
[Verse]
Em D6 Cm7 B7
She said it grieves me so to see you in such pain
Em D#dim7 Gm7 B7*
I wish there was something I could do to make you smile again
Em D6 Cm7 B7
I said I appreciate that and would you please explain
Em Am Em
About the fifty ways
[Verse]
Em D6 Cm7 B7
She said, why don′t we both just sleep on it tonight?
Em D#dim7 Gm7 B7*
And I believe in the morning you'll begin to see the light
Em D6 Cm7 B7
And then she kissed me and I realized she probably was right
Em Am Em
There must be fifty ways to leave your lover
Em Am Em
Fifty ways to leave your lover
[Chorus]
G
You just slip out the back, Jack
Bb
Make a new plan, Stan
C
You don′t need to be coy, Roy
G
Just get yourself free
G
Oh, you hop on the bus, Gus
Bb
You don't need to discuss much
C
Just drop off the key, Lee
G
And get yourself free
G
Slip out the back, Jack
Bb
Make a new plan, Stan
C
You don′t need to be coy, Roy
G
You just listen to me
G
Hop on the bus, Gus
Bb
You don't need to discuss much
C
Just drop off the key, Lee
G
And get yourself free
##############################################################################################################
A SONG ABOUT ACNE
- Charlie McDonnell
*Tip*
Use the following fingering for the chords except for the A in the Outro:
G C E A
D 2 2 2 5
E 4 4 4 7
A 6 4 5 4
G 4 3 2 3
[Intro]
D A E G x2
[Verse 1]
D
1-2-3-4-5-6-7-8
D A G
Spots on my face too much acne to embrace
D A G
the person behind them
D A G
zits on my back with heads bright white, scarlet and black
D A G
in much too much an awkward place to pop them
D A G
pimples on my chest probably there because I'm stressed
D A G
about the people talking behind my back
D A G
about the spots on my face the ones i wish i could erase
D A G
just like the so called friends that like to tease me about them
[Chorus]
D E G A
clearasil and freederm sitting in my bathroom
D E G A
the spots on my face can confirm that they don't really work
D E G A
proactiv solution deserves an execution
D E G A
for being an ablution that does nothing but smirk at me
G A
'cause I'm an acne ridden teen
[Interlude]
D A E G x2
[Verse 2]
D
1-2-3-4-5-6-7-8
D A G
countless times I've tried and tried but my skin just ends up all dry
D A G
and I'm left wanting to stay inside
D A G
but then one day I said charlie it's not as bad as it could be
D A G
they're only spots it's not like you've died
D A G
be a man, be who you are but try not to pop them in case they scar
D A G
even though squeezing them is fun fun FUN!
D A G
understand at the end of the day to put your hands down and say okay
D A
get out of the bathroom,
G
and lie out in the sun - because I heard that helps -
[Chorus]
D E G A
clearasil and freederm sitting in my bathroom
D E G A
the spots on my face can confirm that they don't really work
D E G A
proactiv solution deserves an execution
D E G A
for being an ablution that does nothing but smirk at me
G A
'cause I'm an acne ridden teen
[Bridge]
but I won't let that define me
G A
because the people that mind don't matter
G A
and the people that matter don't mind
G A
so when all that puss goes splatter
G A
wipe it off your mirror, and wipe it from your mind
D A G
'cause you could try and dairy free diet
D A G
and drink 8 cups of water a day
D A G
but in the end your acne will still run riot
D A G
'cause the hormones that cause them, just won't go away
[Interlude]
D A E G x3
scatting
D A G x4
[Chorus]
D E G A
clearasil and freederm sitting in my bathroom
D E G A
the spots on my face can confirm that they don't really work
D E G A
proactiv solution deserves an execution
D E G A
for being an ablution that does nothing but smirk at me
G
'cause I'm an acne ridden
A
somewhat smelly
G
Kind of weird
A D
But generally A ok teen
[Outro]
G A D
##############################################################################################################
AINT SHE SWEET
- The Beatles
At the end you can do a little something by spicing up the G7
G C E A
G7* 0 2 1 7
[Verse]
C C#dim7 G7
Oh, ain't she sweet?
C C#dim7 G7
Well, see her walking down that street
C E7 A
Yes, I ask you very confidentially
D7 G7 C
Ain't she sweet?
[Verse]
C C#dim7 G7
Oh, ain't she nice?
C C#dim7 G7
Well, look her over once or twice
C E7 A
Yes, I ask you very confidentially
D7 G7 C
Ain't she nice?
[Chorus]
F
Just cast an eye
C
In her direction
D7
Oh me oh my
G7
Ain't that perfection? Doo goo doo doo
[Verse]
C C#dim7 G7
Oh, I re- peat
C C#dim7 G7
Well, don't you think that's kind of neat?
C E7 A
Yes, I ask you very confidentially
D7 G7 C
Ain't she sweet?
[Verse]
C C#dim7 G7
Oh, ain't she sweet?
C C#dim7 G7
Well, see her walking down that street
C E7 A
Well, I ask you very confidentially
D7 G7 C
Ain't she sweet?
[Verse]
C C#dim7 G7
Oh, ain't that nice?
C C#dim7 G7
Well, look it over once or twice
C E7 A
Yes, I ask you very confidentially
D7 G7 C
Ain't she nice?
[Chorus]
F
Just cast an eye
C
In her direction
D7
Oh me oh my
G7
Ain't that perfection? Doo goo doo doo
[Verse]
C C#dim7 G7
Oh, I re- peat
C C#dim7 G7
Well, don't you think that's kind of neat?
C E7 A
Yes, I ask you very confidentially
D7
Ain't
G7*
she
C
sweet?
##############################################################################################################
ARE YOU SITTING COMFORTABLY
- Jay Foreman
I prefer to use these chord-shapes for the uke:
G C E A
E 4 4 4 7
A 6 4 5 4
C#m 6 4 4 4
Abm7 4 6 4 6
Ab7 1 2 3 2
F#m 2 4 2 4
E6 4 4 4 4
[Intro]
E A E E B7 E
[Verse]
E A E
Are you sitting comfortably?
A E B7
Can you hear me from back there?
E A E
Have you had a drink? Have you been to the toilet?
A E B
Are you comfy in your chair?
C#m Abm7
Do you like the person next to you
A E B7
If you don't, please let me know.
E A E
Because if you're not sitting comfortably
E B7 E
Then I can't get on with the show.
[Verse]
E A E
Do you need to sneeze or blow your nose
A E B7
Don't suppress the urge to cough
E A E
If you're cold then put a jumper on
A E B
If you're hot, take it back off.
C#m Abm7
What are you doing with your hands?
A E B
Are they by your sides or on your knees?
E A E
Are you fiddling with them or holding something?
E B7 E
Do with them as you please.
[Bridge]
Ab7
Does anything itch like your arms or your back
C#m
Or your eyes or your neck or your chin?
F#m7
Are you blinking just the right amount?
B C
Are you concentrating on your breathing out and in?
[Verse]
F Bb F
Are you slouching? Can your neighbour smell you?
Bb F C7
Are you farting now and then?
F Bb F
Are your legs in front of you, or are they crossed?
Bb F C
And do you need to piss again?
Dm Am7
Have you achieved your life's ambitions yet
Bb F C7
If you haven't let me know
F Bb F
But I'll assume you're sitting comfortably
F C F C F C F C F C F
And we'll get on with the show.
##############################################################################################################
AWKWARD DUET
- Dodie Clark
The chords should be shaped as follows:
G C E A
F6 5 5 5 5
Adim7 2 3 2 3
C7 3 4 3 3
F7 5 5 5 6
F 5 5 5 7
Gm 0 7 6 5
[Intro]
F6 Dm Dm7
F6 Dm Dm7
[Verse]
F6 Dm Dm7 F6
Do you want to go first?
Dm Adim7
Cause I’m happy to wait, I
Bb
practiced really hard
C7
but I’m finding it strange to start with you.
[Instrumental]
F6 Dm Dm7
F6 Dm Dm7
[Verse]
F6 Dm Dm7 F6
So how does it go?
Dm Adim7
I’ve forgotten the tune, I
Bb
haven’t warmed up today
C7
so I might sound a bit strange! yes I do...
[Instrumental]
F6 Dm Dm7
F6 F7
[Chorus]
Bb
cause I (can)
Bbm F6 G7
sing (I) swear it’s true
Bb C7
I’m just a little nervous in front of you
[Instrumental]
F6 Dm Dm7
F6 Dm Dm7
[Verse]
F6 Dm Dm7 F6
so who’s on the 3rd?
Dm Adim7
i think I’m better at melody
Bb
oh i’m going to get it wrong
C7
shall we try another song? no?… okay.
[Instrumental]
F6 Dm Dm7
F6 Dm Dm7
[Verse]
F6 Dm F6
let’s just go for a take
Dm Adim7
and see how we sound my
Bb
heart is beating fast
C7
oh vocal chords please last, here we go
[Instrumental]
F6 Dm Dm7
F6 F7
[Chorus]
Bb
cause I (can)
Bbm F6 G7
sing (I) swear it’s true
Bb C7
I’m just a little nervous in front of you
[Instrumental]
F6 Dm Dm7
F6 Dm Dm7
[Bridge]
F Gm F Gm
(oooooh-ing interlude)
F Gm F Gm F Gm C
("we sound good" interlude)
[Instrumental]
F6 Dm Dm7
F6 Dm Dm7
[Verse]
F6 Dm Dm7 F6
I think I messed up
Dm Adim7
I just wanted to improvise
Bb
shall we try another day?
C7
(I think I sounded great, so...)
[Instrumental]
F6 Dm Dm7
F6 F7
[Chorus]
Bb
cause I (can)
Bbm F6 G7
sing (I) swear it’s true
Bb C7
I’m just a little nervous in front of you
[Outro]
E6 F6
##############################################################################################################
Der BI-BA-BUTZEMANN
- Fredl Fesl
[Chorus]
F C7 F
Es tanzt ein Bi-Ba-Butzemann in unserm Haus herum, Fidibum
F C7 F
Es tanzt ein Bi-Ba-Butzemann in unserm Haus herum
[Verse 1]
Fm Cm
Und er rüttelt sich und schüttelt sich und wirft sein Säcklein hinter sich
Fm Cm
Er rüttelt sich und schüttelt sich und wirft sein Säcklein hinter sich und schüttelt sich
Fm Cm Fm Cm
Ja ja ja-a, wos sogst da?
[Chorus]
F C7 F
Es tanzt ein Bi-Ba-Butzemann in unserm Haus herum, Fidibum
F C7 F
Es tanzt ein Bi-Ba-Butzemann in unserm Haus herum
[Verse 2]
Fm Cm
Und er wirft sein Säcklein her und hin, was ist wohl in dem Säcklein drin?
Fm Cm
Was ist wohl in dem Säcklein drin, er wirft sein Säcklein her und hin, was ist wohl drin?
Fm Cm Fm Cm
Ja ja ja-a, wos sogst da?
{Chorus]
F C7 F
Es tanzt ein Bi-Ba-Butzemann in unserm Haus herum, Fidibum
F C7 F
Es tanzt ein Bi-Ba-Butzemann in unserm Haus herum
[Verse 3]
Fm Cm
Und er schenkt zur Nacht dem guten Kind die Äpflein, die im Säcklein sind
Fm Cm
Die Äpflein, die im Säcklein sind, die schenkt er nachts dem guten Kind, ja ja ja
Fm Cm Fm Cm
Ja ja ja-a, wos sogst da?
[Chorus]
F C7 F
Es tanzt ein Bi-Ba-Butzemann in unserm Haus herum, Fidibum
F C7 F
Es tanzt ein Bi-Ba-Butzemann in unserm Haus herum
[Verse 4]
Fm Cm
Und er wirft sein Säcklein hin und her, am Morgen ist sein Säcklein leer
Fm Cm
Am Morgen ist sein Säcklein leer, er wirft sein Säcklein hin und her, am Morg'n ists leer
Fm Cm Fm Cm
Ja ja ja-a, wos sogst da?
[Chorus]
F C7 F
Es tanzt ein Bi-Ba-Butzemann in unserm Haus herum
##############################################################################################################
BIRTHDAY SONG
- Charlie McDonnell
Just three neat bar chords for the uke players:
G C E A
Ab 5 3 4 3
G 4 2 3 2
Cm 5 3 3 3
Ab G Cm
This is a song that I wrote you for your birthday
Ab G Cm
Because I couldn't be bothered to buy you anything
Ab G
And I know that you might think that
Cm G
Writing this song required more effort
Ab G Cm
Than going out and buying you something
N.C.
But I can promise that it didn't
Ab G Cm
I'm not even going to include your name in this song
Ab G Cm
Because that way I can use it on somebody else
Ab G Cm G
And if you listen closely then you might be able to tell
Ab G Cm
That I only bothered using three chords
G
I guess that just shows you how much I care
Ab G Cm G
Happy birthday insert name here
Ab G Cm
Congratulations on living another year
Ab G Cm G
Only joking I did get you something
Ab G Cm
And it's right here
##############################################################################################################
DOWN
- Dodie Clark
Strumming and stuff
This song needs to be fingerpicked to sound propper. Nothing too complicated just pluck the
C string once and then the E and the A string twice in a 3/4 manner.
(Occasionally the chords are strummed or plucked as a whole, just watch dodies video to figure this one out)
Chords and stuff
To play the chords as dodie does try to use these chord shapes for the following chords:
G C E A
D 2 2 2 5
Em/Eb 0 3 3 2
G/Db 0 1 3 2
Cm 0 3 3 0 (this is something I do in the verses. Don't know why, other than I like the way it sounds)
[Intro]
G Gaug G Gaug
[Verse]
G
I woke up as heavy as lead
D
An ocean of worry weighs me down in bed
[Chorus]
Em Em/Eb
But there's things to do
G G/Db
There's a life to live
C Cm G
Must ignore my stupid head
[Instrumental]
Gaug G Gaug
[Verse]
G
Friends float above in the wind
D
Bright balloons pulling them up while they grin
[Chorus]
Em Em/Eb
'Cause there's things to do
G G/Db
There's a life to live
C Cm G
Must ignore the things I think
[Instrumental]
Gaug G Gaug
oooOOOoooOOoh
[Bridge]
G
It's like walking around with a stone for a heart
Gaug
People swimming in honey as your life falls apart
Em
It's cold and it's dark, and there's no way out
Em/Eb
I felt like you once, I wish I could shout
G
It's like walking around with a stone for a heart
Gaug
People swimming in honey as your life falls apart
Em
It's cold and it's dark, and there's no way out
Cm
I felt like you once, I wish I could shout
[Verse]
G
You never can undo the brain
D D
Now it knows of the holes it will fall as it's trained
[Chorus]
Em Em/Eb
Cause there's things to do
G G/Db
There's a life to live
C
Watch them laugh/love
Cm G
While you stay in the rain
[Outro]
Gaug G Gaug G
##############################################################################################################
DREAM A LITTLE DREAM OF ME
- Doris Day
[Intro]
| C B7 | Ab G |
| C B7 Bb7| A7 |
| F | Fm |
| C Ab | G |
[Verse]
C B7 Ab G
Stars shining bright above you
C B7 Bb7 A7
Night breezes seem to whisper "I love you"
F Fm
Birds singing in the sycamore tree
C Ab G
Dream a little dream of me
[Verse]
C B7 Ab G
Say nightie-night and kiss me
C B7 Bb7 A7
Just hold me tight and tell me you'll miss me
F Fm
While I'm alone and blue as can be
C Ab G C E7
Dream a little dream of me
[Bridge]
A F#m Bm E7 A F#m Bm E7
Stars fading but I linger on, dear, still craving your kiss
A F#m Bm E7 A F#m Ab G
I'm longing to linger till dawn, dear, just saying this
[Verse]
C B7 Ab G
Sweet dreams till sunbeams find you
C B7 Bb7 A7
Sweet dreams that leave all worries behind you
F Fm
But in your dreams whatever they be
C Ab G
Dream a little dream of me
[Interlude]
| C B7 | Ab G |
| C B7 Bb7| A7 |
| F | Fm |
| C Ab G | C E7 |
[Bridge]
A F#m Bm E7 A F#m Bm E7
Stars fading but I linger on, dear, still craving your kiss
A F#m Bm E7 A F#m Ab G
I'm longing to linger till dawn, dear, just saying this
[Verse]
C B7 Ab G
Sweet dreams till sunbeams find you
C B7 Bb7 A7
Sweet dreams that leave all worries behind you
F Fm
But in your dreams whatever they be
C Ab G
Dream a little dream of me
[Outro]
| C B7 | Ab G |
| C B7 Bb7| A7 |
| F | Fm |
| C Ab G | C E7 |
| A F#m | Bm E7 |
| A F#m | Bm E7 |
| A F#m | Bm E7 |
| A F#m | Ab G |
| C B7 | Ab G |
| C B7 Bb7| A7 |
| F | Fm |
| C Ab G | C E7 |
(fadeout)
##############################################################################################################
DRIVING HOME FOR CHRISTMAS
- Chris Rea
Quick Disclaimer:
This is probably not how the actual chords should be, but it is what I do and what I think works on the uke.
The chordshapes you need:
G C E A
C#m7 1 1 0 2 (in the verse)
C#m7 4 4 4 4 (in the chorus)
D6 2 2 2 2
For the Instrumental part, just hold a bar chord slide it up the fretboard with the occasional
middlefinger on the C string
You can start off by Fingerpicking the upper three strings from lowest to highest note (C#, E, G#)
[Intro]
C#m7 A C#m7 A
Dmaj7 D6 Dmaj7 D6
C#m7 A C#m7 A
Dmaj7 D6 Dmaj7 D6
[Verse]
C#m7 A C#m7 A
I'm driving home for Christmas
Dmaj7 D6 Dmaj7 D6
Oh, I can't wait to see those faces
C#m7 A C#m7 A
I'm driving home for Christmas, yea
Dmaj7 D6 Dmaj7 D6
Well I'm moving down that line
[Chorus]
C#m7 F#m Bm7
And it's been so long
E C#m7
But I will be there
F#m Bm7
I sing this song
E C#m7
To pass the time away
F#m Bm7 E
Driving in my car
[Verse]
C#m7 A C#m7 A
Driving home for Christmas
Dmaj7 D6 Dmaj7 D6
It's gonna take some time but I'll get there
C#m7 A C#m7 A
Top to toe in tailbacks
Dmaj7 D6 Dmaj7 D6
Oh, I got red lights all around
C#m7 A C#m7 A
But soon there'll be a freeway
Dmaj7 D6 Dmaj7 D6
Get my feet on holy ground
[Chorus]
C#m7 F#m Bm7
So I sing for you
E C#m7
Though you can't hear me
F#m Bm7
When I get through
E C#m7
Oh and feel you near me
F#m Bm7 E
Driving in my car
[Verse]
C#m7 A C#m7
I am driving home for Christmas
A Dmaj7 D6 Dmaj7
Driving home for Christmas
D6 C#m7 A C#m7 A
With a thousand memories
Dmaj7 D6 Dmaj7 D6
I take look at the driver next to me
C#m7
He's just the same
Dmaj7
Just the same
[Instrumental]
Gmaj7 (strum once)
G |-------------------------------------------------0--|
C |--2----4----6----8---------9-----8-----6-----4---2--|
E |----2----4----5----7-----9-----7-----5-----4-----2--|
A |----2----4----5----7---9-----7-----5-----4-------2--|
[Verse]
C#m7 A C#m7 A
Top to toe in tailbacks
Dmaj7 D6 Dmaj7 D6
Oh, I got red lights all around.
C#m7 A C#m7 A
I'm driving home for Christmas, yea
Dmaj7 D6 Dmaj7 D6
Get my feet on holy ground
C#m7 F#m Bm7
So I sing for you
E C#m7
Though you can't hear me
F#m Bm7
When I get through
E C#m7
Oh and feel you near me
F#m Bm7 E
Driving in my car
[Verse]
C#m7 A C#m7
Driving home for Christmas
A Dmaj7 D6 Dmaj7
Driving home for Christmas
D6 C#m7 A C#m7 A
With a thousand memories.
Dmaj7 D6 Dmaj7 D6
I take a look at the driver next to me
C#m7 A C#m7 A
He's just the same
Dmaj7 D6 Dmaj7
He's driving home, driving home
D6 C#m7 A C#m7 A
Driving home for Christmas.
(fade out)
##############################################################################################################
ENORMOUS PENIS
- Da Vinci's Notebook
[Intro]
C G7
Whenever life get you down
Dm Fm
Keeps you wearing a frown
C D7 G7 C
And the gravy train has left you behind
C G7
And when your all out of hope
Dm Fm
Down at the end of your rope
F D7 G
And nobody's there to throw you a line
F
If you ever get so low
Fm
That you don't know which way to go
C G7 C
Come on and take a walk in my shoes
F
Never worry 'bout a thing
D7
Got the world on a string
G D7 G7
Cause i've got the cure for all of my blues
[CHORUS]
C A
I take a look at my enormous penis
D7 G C G7
And my troubles start a-meltin' away
C A
I take a look at my enormous penis
D7 G7
And the happy times are comin' to stay
F
I got a sing and I dance
Fm
When I glance in my pants
C A7
And the feelin's like a sun shiny day
D7 G7 C B Bb A [NOTE: use bar chords for the C, B, and Bb]
I take a look at my enormous pe-e-enis
D7 G C G7
And everything is goin' my way
[Repeat chorus chords]
*Whistle Solo*
*Scatt Solo + Penis*
C A
I take a look at my enormous penis
D7 G C G7
And my troubles start a-meltin' away
C A
I take a look at my enormous penis
D7 G7
And the happy times are comin' to stay
F
Yeah i got great big amounts
Fm
In the place where it counts
C A7
And the feelin's like a sun shiny day
D7 G7 C B Bb A
I take a look at my enormous pe-e-enis
D7 G C A
And ev'rything is goin' my way (my trouser monster)
D7 G C A
Ev'rything is goin' my way (my meat is murder)
D7 G C A
Ev'rything is goin' my way (size doesn't matter)
D7 G7 C Fm C
Ev'rything is goin' my waaaaaaaaay
C7
Yummmmm
##############################################################################################################
FLOWERS NEVER BEND WITH THE RAINFALL
- Simon and Garfunkel
G C E A
D 2 2 2 5
[Verse]
G Bm7
Through the corridors of sleep
C G
Past the shadows dark and deep
Bm C G
My mind dances and leaps in confusion.
G Bm
I dont know what is real,
C G
I can't touch what I feel
Bm C G
And I hide behind the shield of my illusion.
[Chorus]
D C G Em
So I'll continue to continue to pretend
Am7 Em
My life will never end,
A C
And flowers never bend
Gsus4 G
With the rainfall.
[Verse]
G Bm7
The mirror on my wall
C G
Casts an image dark and small
Bm C G
But Im not sure at all its my reflection.
G Bm7
I am blinded by the light
C G
Of God and truth and right
Bm C G
And I wander in the night without direction.
[Chorus]
D C G Em
So I'll continue to continue to pretend
Am7 Em
My life will never end,
A C
And flowers never bend
Gsus4 G
With the rainfall.
[Verse]
G Bm7
Its no matter if youre born
C G
To play the king or pawn
Bm C G
For the line is thinly drawn tween joy and sorrow,
G Bm7
So my fantasy
C G
Becomes reality
Bm C G
And I must be what I must be and face tomorrow.
[Chorus]
D C G Em
So I'll continue to continue to pretend
Am7 Em
My life will never end,
A C
And flowers never bend
Gsus4 G
With the rainfall.
D C G Em
So I'll continue to continue to pretend
Am7 Em
My life will never end,
A C
And flowers never bend
Gsus4 G
With the rainfall.
##############################################################################################################
GEHEIMER TUNNEL (AVATAR)
- Chong
For this one we need to do some minor fingerpicking stuff.
The A and F#m chords are plucked similarly:
A
G |----------------:|
C |--1-------------:|
E |-----0----0-----:|
A |------00-----0--:|
F#m
G |----------------:|
C |--1-------------:|
E |-----2----2-----:|
A |------00-----0--:|
The E chord however changes things up a bit:
E
G |----------1-----:|
C |--4-------------:|
E |-----0----------:|
A |------22-----2--:|
And that is it for the fingerpicking. The C#m is merely plucked once at the end of the verse and
the Chorus is vigorous strumming.
Have fun!
[Intro]
A
[Verse]
A
Two lovers, forbidden from one another
E
A war divides their people
F#m
And a mountain divides them apart
C#m
Built a path to be together
N.C.
Yeah, and I forget the next couple of lines, but eh, then it goes...
[Chorus]
A
Secret tunnel!
F#m
Secret tunnel!
C#m
Through the mountain!
E A
Secret, secret, secret, secret tunnel!
A
Yeah....
##############################################################################################################
HAT PIZZA HUT PIZZA?
- Marti Fischer
I always play the song with bar chords. The chords with the "*" are slight alterations.
These are the chordshapes I recommend:
G C E A
D 2 2 2 5
D7 2 2 2 1
E 4 4 4 7
E7 4 4 4 5
G 4 2 3 2
G* 4 2 3 5
A 6 4 5 4
A* 6 4 5 7
A7 6 7 5 4
Bm 4 2 2 2
Bm7 2 2 2 2
Lets go!
[Intro]
G* A* D Bm E A7 D N.C.
[Verse 1]
D E
Auf der Welt gibt's die verschiedensten Geschmäcker.
A A* D D7
Der eine findet Äpfel gut, der and're Birnen lecker.
G A D Bm
Leute gibt's, die essen von früh bis spät nur Spinat,
E E7
weil sie glauben, davon Kraft zu kriegen,
A A7
da haben wir den Salat.
[Verse 2]
D E
Apropos Salat: den finden viele Menschen gut.
A A* D D7
Dann gibt's aber noch Speisen, da verlässt mich schnell der Mut:
G A D Bm
Schnecken oder Froschschenkel, da sag ich: mais non!
E E7 A A7
Immer wieder zieht's mich in mein Lieblingsrestaurant.
[Chorus]
D E
Ich will nur mal seh'n, ob Pizza Hut noch Pizza hat.
A A* D D7
Denn bei Pizza Hut werd ich vom kleinsten Spritzer Pizza satt.
G A D Bm
Komm mir nicht mit Döner, denn der macht selten schöner.
A7 D
Nur die Pizza macht spitzer.
[Piano Solo]
G D G A D D7 G G* A D N.C.
...Jetzt sind wir mal ehrlich, gibt es etwas schöneres als eine Pizza von Pizza Hut?
[Chorus]
D E
Ich will nur mal seh'n, ob Pizza Hut noch Pizza hat.
A A* D D7
Denn bei Pizza Hut werd ich vom kleinsten Spritzer Pizza satt.
G A D Bm
Komm mir nicht mit Döner, denn der macht selten schöner.
A7 Bm7
Nur die Pizza macht spitzer.
##############################################################################################################
HAUCH MICH MAL AN
- Lumpenpack
If you played this song before you might find that instead of the Fmaj13 in the verses you find now a simple F
The basis of this confusion is due to the Fmaj13 not only beeing a really weird chord shape, but also sounding
terrible on the uke. The F however sounds just fine, so I'll take it...
As a little bonus Roland-thingy: I usually use a simple "down down-up up-down-up" strumming for the verses and
change it to a rather quick "down down-up down down-up" pattern for the chorus. In the bridge the chords are
just strummed once.
[Verse]
Am F E7 Am
Der Wind treibt Blätter vor sich her und seine Worte an mein Ohr
Am F E7 Am
und er steht schon länger hier und trägt Vorbeieilenden vor
Am F E7 Am
Was die da oben sich erlauben! Was sich im Verborgenen tut
Am F E7 Am
Man lässt den Steuerzahler glauben der Fortschritt tut uns gut
Am F E7 Am
Deutschland ist ne Firma und Impfen ist tabu
Am F E7 Am
Merkel ist kein Mensch weiß er von Xavier Naidoo
[Pre-Chorus]
F Am
Ich stand zwischen all den anderen und lauschte
F Am
Er war gut darin, Passanten anzuziehen
F Am
nach zehn Minuten Predigt eine Pause
E7
da stellte ich mich sehr dicht vor ihn hin
Und sagte:
[Chorus]
Am E7 Am
Hauch mich mal an
F
das kann doch nicht dein Ernst sein
C G
das kann doch keiner Ernst meinen!
Am E7 Am
Hauch mich mal an
F
ich wäre wirklich überrascht
C
hättest du nicht vom Schnaps genascht
G F E7
Ich riech es bis hierher:
Du stinkst nach Haschisch und Likör
Am F E7 Am
[Verse]
Am F E7 Am
Der Regen schlägt ans Fenster und sie mir ins Gesicht
Am F E7 Am
Sie saß hier wohl schon länger und sie wartete auf mich
Am F E7 Am
Doch ich kam ja zu spät und sie deshalb zum Entschluss
Am F E7 Am
Dass wenn ich heute geh es für immer sein muss
Am F E7 Am
Die Sachen schon gepackt, da vorne ist die Tür
Am F E7 Am
bevor du sie gleich zuziehst lass deine Schlüssel hier
[Pre-Chorus]
F Am
Ich stand aufgelöst im Hausflur und ich lauschte
F Am
sie hatte sich schon immer gut gestritten
F Am
Nach zehn Minuten Heulkrampf eine Pause
E7
da legt' ich ihr den Finger auf die Lippen
Und sagte:
[Chorus]
Am E7 Am
Hauch mich mal an
F
das kann doch nicht dein Ernst sein
C G
das kann doch keiner Ernst meinen!
Am E7 Am
Hauch mich mal an
F
So wie du hier grade zeterst
C
Merkt man, dass du einen im Tee hast
G F E7
Ich riech es wie noch nie:
Du stinkst nach Gras und
F Am E7 Am
Mon Chéri-i-i-i-i-i-i-i-i-i-i
Du stinkst nach Gras und
F Am E7 Am
Mon Chéri-i-i-i-i-i-i-i-i-i-i
[Bridge]
Am F E7 Am
Die Welt dreht sich um mich nur der Schlüssel nicht im Schloss
Am F E7 Am
Ich wundere mich kurz, da brennt noch Licht im Erdgeschoss
Am F E7 Am
Da ist dann schon ein Schatten und schon öffnet sich die Tür
Am F E7 Am
Nachts halb drei in Deutschland und Mama steht vor mir
[Verse]
Am F E7 Am
In dieser Situation greif meine Superfähigkeit
Am F E7 Am
die Gute-Nacht-zu-Mama-sagen-Mini-Nüchternheit
Am F E7 Am
Gut artikuliert und ohne Stottern vorgebracht
Am F E7 Am
Sie fragt: Wo kommst du her? Und ich sag: Gute Nacht.
Am F E7 Am
Trotzdem riecht sie Lunte in ihren Augen blitzt der Zorn
Am F E7 Am
Mir bleibt kein anderer Ausweg: nur die Flucht nach vorn
[Chorus]
Am E7 Am
Hauch mich mal an
F
das kann doch nicht dein Ernst sein
C G
das kann doch keiner Ernst meinen!
Am E7 Am
Hauch mich mal an
F
Du denkst wohl das macht nix
C
dass du so spät noch wach bist!
G F E7
Ich riech es doch bis hier:
Am
Ich glaub die Fahne kommt von mir
[Outro]
F Am E7 Am
F Am E7 Am
##############################################################################################################
KÜHLSCHRANKLIED
- Phrasenmäher
[Intro]
Bb Gm Dm Eb
Bb Gm Dm Eb
[Chorus]
Bb Gm
Ich hab gestern meine Freundin in den Kühlschrank gestellt,
Dm Eb
jetzt weiß ich nicht ob sie mir tiefgekühlt noch gefällt.
Bb Gm
Ich hab sie zwischen Käse und Quark getan
Dm Eb D7
und ich glaub, dass sie das mag, denn sie lebt ja nicht vegan.
[Verse]
Gm
Nicht dass hier jemand was falsches denkt,
Eb F D7
ich bin nicht hinterlistig oder sonst wie beschränkt.
Gm
Nur gestern stand in der Zeitung drin,
Eb F D7
überraschen Sie doch mal ihre Partnerin!
Gm Eb
Machen Sie was ganz verrücktes -
F
Ich glaube, dass es mir geglückt ist!
[Chorus]
Bb Gm
Denn ich hab gestern meine Freundin in den Kühlschrank gestellt,
Dm Eb
und jetzt weiß ich nicht ob sie mir tiefgekühlt noch gefällt.
Bb Gm
Ich hab sie zwischen Käse und Quark getan
Dm Eb D7
und ich glaub, dass sie das mag, denn sie lebt ja nicht vegan.
[Verse]
Gm
So 'n bisschen Abwechslung ist doch auch mal schön
Eb F D7
und wenn 's ihr nicht gefällt, kann sie ja wieder gehn.
Gm Eb
Obwohl von innen geht die Tür ja 'n bisschen schwer...
F D7
Tja wenn ich jetzt so an ihrer Stelle wär...
Gm
Ich werd in zwei drei Wochen mal nach ihr schaun
Eb F
und dann stell ich sie vor den Ofen um sie abzutaun!
[Chorus]
Bb Gm
Ich hab gestern meine Freundin in den Kühlschrank gestellt,
Dm Eb
und jetzt weiß ich nicht ob sie mir tiefgekühlt noch gefällt.
Bb Gm
Ich hab sie zwischen Käse und Quark getan
Dm Eb
und ich glaub, dass sie das mag, denn sie lebt ja nicht vegan :||
##############################################################################################################
LIEBE MACHT BLIND
- Farin Urlaub
Use Capo 1 to play it in the original key. I changed it because the chord shapes in the original key are
a nightmare to hold...
[Intro]
B Dm Cm Dm 3x
[Verse]
B Dm Cm Dm B
Es ist wahr, Liebe macht blind
Dm Cm
sonst hätt' ich sicher längst gemerkt,
Dm B
dass wir nicht mehr zusammen sind.
Dm Cm Dm B
Es ist wahr, Liebe macht blind
Dm Cm
doch das macht mir überhaupt nichts,
Dm Eb
denn ich bin ein Sonntagskind.
[Pre-Chorus + Chorus]
F
Baby, seit Du weg bist,
Eb F Eb
war Einsamkeit mein bester Freund,
F Eb
und ich freu' mich auf den Tag,
F B Gm Eb
an dem die Sonne wieder scheint.
F B Gm Eb F
Wenn die Sonne wieder scheint...
[Verse]
B Dm Cm Dm B
Es ist kaum zwei Jahre her (zwei Jahre her).
Dm Cm Dm B
Du warst weg, und meine Welt war plötzlich einsam, kalt und leer.
Dm Cm Dm B
Es ist kaum zwei Jahre her,
Dm
und ich muss sagen,
Cm Dm Eb
ich vermiss' Dich wirklich überhaupt nicht mehr.
[Pre-Chorus + Chorus]
F Eb
Ich hab' immerhin schon fast,
F Eb
seit einer Woche nicht geweint,
F Eb
und ich warte auf den Tag,
F B Gm Eb
an dem die Sonne wieder scheint,
F B Gm Eb F
Wenn die Sonne wieder scheint...
[Bridge]
Dm Gm Dm Gm
Ich bin alleine, Freunde hab' ich keine.
Dm Gm Eb F B
Bin so alleine und meine Tränen fallen schwer wie Steine.
[Verse]
B Dm Cm Dm B
Es ist wahr, das Leben ist schön,
Dm Cm
und ich bin sicher, irgendwann wirst Du ganz
Dm B
plötzlich vor mir stehen.
Dm Cm Dm B
Es ist wahr, das Leben ist schön.
Dm Cm
Ja, ich freu' mich auf den Tag,
Dm Eb
wenn wir uns endlich wiedersehen.
F Eb
Dann nehm' ich Dich in die Arme,
F Eb
und wir sind wieder vereint.
F Eb
und ich weiß, das ist der Tag,
F B Gm Eb
an dem die Sonne wieder scheint.
F B Gm Eb
Wenn die Sonne wieder scheint ... (5x)
##############################################################################################################
MARTIN WAS A MONKEY
- Jay Foreman
[Verse]
C Fmaj7
Martin was a monkey
C Fmaj7
He lived in London zoo
C Fmaj7
He had a monkey tyre
C Fmaj7
And a monkey tree branch too
[Verse Alteration]
Am G
But Martin wasn't happy there
Am G
He sat and dreamt all day
Am D
About the thing he wanted most
G G7
A skiing holiday
[Verse]
C Fmaj7
He'd shoot off down the mountain
C Fmaj7
And whizz across the snow
C Fmaj7
He'd slalom in between the flags
C Fmaj7
He couldn't wait to go
[Chorus]
Am
But he never did go skiing
Dm7
He couldn't go because
Gm
Martin was a monkey
C Fmaj7
And a monkey's what he was.
[Verse]
C Fmaj7
He told his friends about it
C Fmaj7
They thought that it was daft
C Fmaj7
They laughed and laughed and laughed and laughed
C Fmaj7
And laughed and laughed and laughed.
[Verse Alteration]
A G
But he left his branch, he left his tree
A G
He leapt apon the floor
A D
But he couldn't leave the cage
G G7
Because a lock was on the door
[Verse]
C Fmaj7
He talked to the zookeepers
C Fmaj7
He asked to be set free
C Fmaj7
But nobody would listen
C Fmaj7
'Cos they couldn't speak monkey
[Chorus]
Am
So He never did go skiing
Dm7
He couldn't go because
Gm
Martin was a monkey
C Fmaj7
And a monkey's what he was.
[Bridge]
Am
He stood and looked out from the cage
Em
It simply wasn't fair
Am
Why did he have to stay inside
Em
When skiing was out there?
[Verse Alteration]
A G
But that's the way life was
A G
And there was nothing he could do
A D
It seemed that all things had a place
G G7
And his was in the zoo.
[Verse]
C Fmaj7
So Martin never got his dream
C Fmaj7
He simply sat and cried
C Fmaj7
He spent his life in London Zoo
C Fmaj7
Until the day he died.
[Chorus]
Am
So He never did go skiing
Dm7
He couldn't go because
Gm
Martin was a monkey
C Fmaj7
And a monkey's what he was.
C Fmaj7
A monkey's what he was.
C Fmaj7
A monkey's what he was.
##############################################################################################################
MATRIMONY
- Gilbert O'Sullivan
[Intro]
C C6 Cmaj7 C6
|* * * *|* * * *|* * * *|* * * *|
C C6 Cmaj7 C6
|* * * *|* * * *|* * * *|* * * *|
[Verse]
C C6 Cmaj7 C6
I've no wish to hurry you luv, but have you seen the time
C C6 Dm7 G7
It's quarter to ten and we're supposed to be there at nine
Dm G7 Dm7 G7
I don't think the registrar will be very pleased
Dm G7 C C6 Cmaj7 C6
If we show up an hour late like two frozen peas * * *|* * * *|* * * *|
[Chorus]
C C6 Cmaj7 C6
Both now facing for the first time presently and past
C7 F
Something that begins with "M" and ends in "Alas"
Fm C
More than not complete disaster even from the start
G7
What could it be * * *|* * * *|* * * *| it's matrimo-
C C6 Cmaj7 C6
-ny * * *|* * * *|* * * *|* * * *|
C C6 Cmaj7 C6
|* * * *|* * * *|* * * *|* * * *|
[Verse]
C C6 Cmaj7 C6
I know how you've dreamt about being walked down the aisle
C C6 Dm7 G7
But think of the money we'll save and you'll see it's worthwhile
Dm G7 Dm7 G7
It won't please our mums and dads but they don't even know,
Dm G7 C C6 Cmaj7 C6
Besides if they did what's the betting they wouldn't even go * * *|* * * *|* * * *|
[Chorus]
C C6 Cmaj7 C6
You and me are all that matters disregard the rest
C7 F
Trust your soon to be old man he knows what is best
Fm C
Very shortly now there's gonna be an answer from you
G7
Then one from me * * *|* * * *|* * * *| that's matrimo-
C C6 Cmaj7
-ny * * *|* * * *|* * * *|
[Bridge]
C7 F C7
Oh I'm truly grateful for the little things in life
F C7
That have made me so glad
F C7
Every other hour that I spend with you
F C7
Is not in the least bit sad
Ab Eb
Quite the opposite in fact
Fm C7
And if you don't believe me here's the proof
Fm G C G7
Ask me if I and I'll say "aye, i do----oo"
C G7
|:* * * * |* * * *|* * * *|* * * *:| x2
[Verse - Instrumental]
C C6 Cmaj7 C6
|* * * *|* * * *|* * * *|* * * *|
C C6 Dm7 G7
|* * * *|* * * *|* * * *|* * * *|
Dm G7 Dm7 G7
|* * * *|* * * *|* * * *|* * * *|
Dm G7 C C6
|* * * *|* * * *|* * * *|* * * *|
[Chorus]
C C6 Cmaj7 C6
You and me are all that matters disregard the rest
C7 F
Trust your soon to be old man he knows what is best
Fm C
Very shortly now there's gonna be an answer from you
G7
Then one from me... that's matrimo-
C C6 Cmaj7 C6
-ny * * *|* * * *|* * * *|* * * *|
C C6 Cmaj7 C6
|* * * *|* * * *|* * * *|* * * *|
(fade out)
##############################################################################################################
ME AND JULIO DOWN BY THE SCHOOLYARD
- Paul Simon
[Intro]
G C G D
G C G D
G C G D
[Verse]
G
Mama pajama rolled outta bed
C
And she ran to the police station
D
When papa found out he began to shout
G
And he started the investigation
[Bridge]
D G
It's against the law it was against the law
D G
What did mama saw it was against the law
[Verse]
G
Now mama looks down and spits on the ground
C
Every time the name gets mentioned
D
And Papa said Oy If I get that boy
G
I'm gonna stick him in the house of detention
[Chorus]
C G
Well I'm on my way I don't know where I'm goin'
C G A D
I'm on my way I'm takin' my time but I don't know where
C F G
Goodbye Rosie the queen of Corona
G F C D G C G D
Seein' me and Julio down by the school yard
G F C D G C G D
Seein' me and Julio down by the school yard
[Whistling solo chorus]
[Verse]
G
Whoa In a couple of days they come and take me away
C
But the press let the story leak
D
And when the radical priest come to get me released
G
We was all on the cover of Newsweek
[Chorus]
C G
And I'm on my way I don't know where I'm goin'
C G A D
I'm on my way I'm takin' my time but I don't know where
C F G
Goodbye Rosie the queen of Corona
G F C D G C G D
Seein' me and Julio down by the school yard
G F C D G C G D
Seein' me and Julio down by the school yard
[Outro]
G F C D G C G D
Seein' me and Julio down by the school yard
(fade out)
##############################################################################################################
NICHTTRAIN TO MUNICH
- Al Stewart
[Verse]
Am Em
Meet me at the station underneath the clock
Am Em
Carry an umbrella, no need to talk
Dm C Bb Am
The man in the homburg, hiding in the fog
G E7
Will be watching
Am Em
Get yourself a ticket, go through the gate
Am Em
At seven forty-five precisely, don't be late
Dm C Bb Am
If anybody follows don't hesitate
G
Keep on walking ... and take the
[Chorus]
Am
Night train to Munich
Dm
Rumbling down the track
E
After half an hour in the restaurant car
F
Look for the conductor
E7 Am
And there will be a stain on his tunic
Dm
A paper underneath his arm
E
Then you'd better pray that he doesn't look away
Am
Or you'll never, never, never come back.
[Verse]
Am Em
When you get the paper take a look inside
Am Em
On page twenty-seven there's a photo of a bride
Dm C Bb Am
Underneath the story of a man who died
G E7
In Morocco
Am Em
Memorize the article word for word
Am Em
The man in the homburg understands the code
Dm C Bb Am
Make sure the conversation isn't overheard
G
They're around you ... upon that
[Chorus]
Am
Night train to Munich
Dm
Rumbling down the track
E
After half an hour in the restaurant car
F
Look for the conductor
E7 Am
And there will be a stain on his tunic
Dm
A paper underneath his arm
E
Then you'd better pray that he doesn't look away
Am
Or you'll never, never, never come back.
[Verse]
Am Em
I really wouldn't ask if there was anybody else
Am Em
But I know you've got the knack of taking care of yourself
Dm C Bb Am
And they don't know your face so there won't be anyone
G E7
Looking for you
Am Em
When you get to Munich we'll be waiting in the car
Am Em
Don't look around, just walk straight out
Dm C Bb Am
If you don't show, I'm sorry for the pain
G
I caused you ... upon that
[Chorus]
Am
Night train to Munich
Dm
Rumbling down the track
E
After half an hour in the restaurant car
F
Look for the conductor
E7 Am
And there will be a stain on his tunic
Dm
A paper underneath his arm
E
Then you'd better pray that he doesn't look away
Am
Or you'll never, never, never come back.
##############################################################################################################
NOT PERFECT
- Tim Minchin
This might be a rather crude transcription of Tim Minchins beautiful piano playing, but I like the Song too
much to leave it out of this Collection. So, yeah... some of the chords are quite dodgy.
I also left out the part where he sings about his country, because... well I don't live in Australia...
So in that way this version is similar to the one found on his 2011 Album "Tim Minchin and the
Heritage Orchestra"
Some of the chords I play differently to the standard chord shape. And I suggest you do so as well.
G C E A
D* 2 2 2 5
A* 6 4 5 4
E* 4 4 4 7
Dsus2/B 2 2 0 2
Dadd9* 2 2 2 7
[Verse]
A E
This is my earth and I live in it
D Dm
It’s one third dirt and two thirds water
A
And it rotates and revolves through space
A7
At rather an impressive pace
D Dm A
And never even messes up my hair
F#m
And here’s the really weird thing
B
The force created by its spin
D* A* E*
Is the force that stops the chaos flooding in
Bm Dsus2/B
This is my Earth .. and it’s fine
E C# F#m
It’s where I spend the vast majority of my time
Bm A
It’s not perfect .. but it’s mine
Bm D*
It’s not perfect
[Verse]
A C#
This is my house and I live in it
D Dm
It’s made of cracks and photographs
A A7
We rent it off a guy who bought it from a guy
D
Who bought it from a guy
Dm A
Whose grandad left it to him
F#m
And the weirdest thing is that this house
B
Has locks to keep the baddies out
D* A* E*
But they’re mostly used to lock ourselves in
Bm Dsus2/B
This is my house .. and it’s fine
E C# F#m
It’s where I spend the vast majority of my time
Bm A
It’s not perfect .. but it’s mine
Bm D*
It’s not perfect
[Verse]
A E
This is my body and I live in it
D Dm
It’s 31 and 6 months old (If you so desire you substitute the age for yours)
A
It’s changed a lot since it was new
A7
It’s done stuff it wasn’t built to do
D Dm A
I often try to fill it up with wine
F#m
And the weirdest thing about it is
B
I spend so much time hating it
D* A* E*
But it never says a bad word about me
Bm Dsus2/B
This is my body .. and it’s fine
E C# F#m
It’s where I spend the vast majority of my time
Bm A
It’s not perfect .. but it’s mine
Bm D* Dadd9*
It’s not perfect
[Verse]
A C#
This is my brain and I live in it
D Dm
It’s made of love and bad song lyrics
A
It’s tucked away behind my eyes
A7
Where all my fucked up thoughts can hide
D Dm A
Cos God forbid I hurt somebody
F#m
And the weirdest thing about a mind
B
Is that every answer that you find
D* A* E*
Is the basis of a brand new cliché
Bm Dsus2/B
This is my brain .. and it’s fine
E C# F#m
It’s where I spend the vast majority of my time
Bm A
It’s not perfect .. but it’s mine
Bm A
It’s not perfect .. but it’s mine
Bm
It’s not perfect
A Bm A
I’m not quite sure I’ve worked out how to work it
Bm A*
It’s not perfect .. but it's mine
##############################################################################################################
PATRICIA THE STRIPPER
- Chris de Burgh
[Intro]
C E7
Dennis is a menace with his 'anyone for tennis?'
Am C7
and beseeching me to come and keep the score.
F Fm
And Maud says, 'Oh Lord, I'm so terribly bored.
C Am D7 G7
I really can't stand it anymore.
[Verse]
C E7
I'm going out to dinner with a gorgeous singer
Am C7
to a little place I found down by the quay,
F Fm
her name is Patricia, she calls herself Delicia,
C Am D7 G7
and the reason isn't very hard to see.
C E7
She says 'God made her a sinner just to keep fat man thinner,
Am C7
as they tumble down in heaps before her feet.
F Fm
They hang around in groups like battle weary troops,
C Am D7 G7 N.C.
one can often see them queue right down the street.
[Pre-Chorus]
F E7
You see, Patricia (or Delicia) not only is a singer,
Am D7 G7
she also removes all her clothing
F G C F C
for Patricia is the best stripper in to....wn.
[Chorus]
C G7 G7 C A7
And with a swing of her hips she started to strip,
Dm G7
to tremendous applause she took of her drawers,
C A7
and with a lick of her lips she undid all her clips,
Dm G
threw it all in the air, and everybody stared !
F E7
And as the last piece of clothing fell to the floor,
C A7
the police were banging on the door,
Dm G C F C N.C.
on a Saturday night in nineteen-twenty- f...our.
[Verse]
C E7
But poor Patricia was arrested and everyone detested
Am C7
the manner in which she was exposed.
F Fm
Later on in court, well, everybody thought
C Am D7 G7 N.C,
a summer run in jail would be proposed.
[Pre-Chorus]
F E7
But the judge said, “Patricia, or may I say Delicia,
Am D7 G7 * * *
the facts of this case lie before me. Case dismissed !
F G C F C
This girl was in her working clo.....thes !!”
C G7 G7 C A7
And with a swing of her hips she started to strip,
Dm G7
to tremendous applause she took of her drawers,
C A7
and with a lick of her lips she undid all her clips,
Dm G
and threw it all in the air, and everybody stared !
F E7
And as the last piece of clothing fell on the floor,
C A7
the police were yelling out for more,
Dm G C A7
on a Saturday night in nineteen-twenty- f...our.
[Outro]
Dm G7 C F C G7 C
On a Saturday night in nineteen-twenty-four. Oh yeah !
##############################################################################################################
RAWHIDE
- Blues Brothers
[Intro]
Am
Rollin' Rollin' Rollin' (x4)
Rawhide
[Verse 1]
Am
Rollin' Rollin' Rollin', though the streams are swollen
C
keep them doggies rollin', Rawhide!
Am Dm G Am
Rain and wind and weather, hell bent for leather,
G F E
wishin' my gal was by my side.
Am Dm G Am
All the things I'm missin', good vittles, love and kissin',
Dm Am G Am
are waitin' at the end of my ride.
[Chorus]
Am E
Move 'em on, head 'em up, head 'em up, move 'em on,
Am E
move 'em on, head 'em up, Rawhide!
Am E
Cut 'em out, ride 'em in, ride 'em in, cut 'em out,
Am E F E7 Am
cut 'em out, ride 'em in, Rawhide!
[Verse 2]
Bbm
keep movin' movin' movin', though they are disapprovin'
Db
keep them doggies movin', Rawhide!
Bbm Ebm Ab Bbm
Don't try to understand them, just rope, throw and brand 'em,
Ab Gb F
soon we'll be livin' high and wide.
Bbm Ebm Ab Bbm
My heart's calculatin', my true love will be waitin',
Ebm Bbm Ab Bbm
be waitin' at the end of my ride.
[Chorus]
Bbm F
Move 'em on, head 'em up, head 'em up, move 'em on,
Bbm F
move 'em on, head 'em up, Rawhide!
Bbm F
Cut 'em out, ride 'em in, ride 'em in, cut 'em out,
Bbm F Gb F7 Bbm
cut 'em out, ride 'em in, Rawhide!
[Interlude]
| Bbm | Bbm | Db | Db |
| Bbm | Ebm Ab Bbm | Ebm Bbm Ab | Bbm |
[Chorus]
Bbm F
Move 'em on, head 'em up, head 'em up, move 'em on,
Bbm F
move 'em on, head 'em up, Rawhide!
Bbm F
Cut 'em out, ride 'em in, ride 'em in, cut 'em out,
Bbm F Gb F7 Bbm
cut 'em out, ride 'em in, Rawhide!
[Outro]
Bbm
Rollin' Rollin' Rollin' (x4)
Rawhide
##############################################################################################################
REAL LOVE
- John Lennon
The chord shapes I use:
G C E A
C#m 6 4 4 4
E* 4 4 4 7
A* 6 4 5 4
Am6 2 0 2 3
This one requires some finger picking, which is pretty straight forward most of the time.
Basically you are just alternating between plucking the E- and A-string together followed by the C-string.
If you dare you might add some neat transitions to the second half of the Intro and the Bridges.
I usually play it like this:
Em B7
G |-------------------------|--------------------2---|
C |-----4-----------4-----4-|-----3-----3-----3-----3|
E |--3-----3-----3-----3----|--2-----2-----2---------|
A |--2--------0--2-----3----|--2-----2-----2---------|
Em B7
G |-------------------------|------------------------|
C |-----4-----------4-----4-|-----3-----3------------|
E |--3-----3-----3-----3----|--2-----2-----2---------|
A |--2--------0--2-----3----|--2-----2-----2---------|
If this says nothing to you... well I'm afraid you have to ask me what I mean by those convoluted descriptions
For the outro I just play the First Line twice slowing down as I get to the end and finishing
with a strum on Em.
[Intro]
Em B7 4x
[Verse]
E G#m
All my little plans and schemes
C#m Baug
Lost like some forgotten dreams
A F#m
Seems that all I really was doing
B E* A* E*
Was waiting for you
E G#m
Just like little girls and boys
C#m Baug
Playing with their little toys
A F#m
Seems like all they really were doing
B E* A* E*
Was waiting for love
[Pre Chorus]
E* Am
Don't need to be alone
E Am6
No need to be alone
[Chorus]
E* C#m A* B
It's real love, it's real
E* C#m A* B
Yes, it's real love, it's real
[Instrumental]
Em B7 2x
[Verse]
E G#m
From this moment on I know
C#m Baug
Exactly where my life will go
A F#m
Seems that all I really was doing
B E* A* E*
Was waiting for love
[Pre Chorus]
E* Am
Don't need to be afraid
E Am6
No need to be afraid
[Chorus]
E* C#m A* B
It's real love, it's real
E* C#m A* B
Yes, it's real love, it's real
[Instrumental]
Em B7 2x
[Verse]
E G#m
Thought I'd been in love before
C#m Baug
But in my heart, I wanted more
A F#m
Seems like all I really was doing
B E* A* E*
Was waiting for you
[Pre Chorus]
E* Am
Don't need to be alone
E Am6
Don't need to be alone
[Chorus]
E* C#m A* B
It's real love, it's real
E* C#m A* B
Yes, it's real love, it's real
E* C#m A* B
Yes, it's real love, it's real
E* C#m A* B
It's real love, it's real
E* C#m A* B
Yes, it's real love, it's real
E* C#m A* B
It's real love, it's real
E* C#m A* B
Yes, it's real love, it's real
E* C#m A*
It's real love, it's real
[Outro]
Em B7
Love
Em (strum)
##############################################################################################################
RENNRAD
- Dota Kehr
Some of the chords have a little "*" at the end. This means you should play them as follows:
G C E A
D* 2 2 2 5
E* 4 4 4 7
A* 6 4 5 4
[Intro]
A
[Verse]
A F#m
Er kommt an mit seinem Rennrad und er weiß, er ist heiß,
C#m D* E*
heiß wie frisch frittiert, und er ist schick frisiert.
A F#m
Sagt "hallo" zu seiner Schnalle, weiß sowieso, er kriegt sie alle
C#m
mit seinem Jungens-Charme.
D* E*
Boah, mir wird ganz warm.
[Bridge]
Bm A E D
Hätte ich so einen Mann mit so einem Rennrad,
E
dann sagte ich zu ihm:
[Chorus]
A F#m
Ich hab die Blumen weggeworfen und die Katze verschenkt,
C#m D* E*
lass uns aufbrechen, Baby!
[Verse]
A F#m C#m
Dann leben wir am Adria Strand, so als fliegende Händler
D* E* A
und verkaufen gefälschte Markentaschen. Oh yeah!
F#m
Bloß dass wir nicht fliegen können, sondern mühsam durch
C#m
den Sand laufen müssen,
D* E*
und die Taschen baumeln uns dabei ans Knie. Oh no!
[Bridge]
Bm A E
Und am Strand geht nichts mit Rennrad.
Bm A E
Das hätte also auch nichts geändert.
A
Hmm hmm hmm.
F#m C#m D*
Hmm hmm hmm hmm hmm hmm
E*
Doch es gibt kein Zurück!
[Chorus]
A F#m
Denn ich hab die Blumen weggeworfen und die Katze verschenkt,
C#m D* E*
lass uns aufbrechen, Baby!
A F#m
Ich hab die Wohnung abgeschlossen und den Schlüssel drangehängt,
C#m D* E*
steig auf dein Rad, wir fahren los!
[Verse]
A F#m
Oder wir fahren halt als Touristen hin
C#m
mit unsren Kameras (Kameras)
D* E*
und haben so viel Spaß. (So viel Spaaaß!)
A F#m
Und hinterher abertausend Terabytes
C#m
ungesehener Urlaubsbilder.
D* E*
Das find ich so deprimierend!
[Bridge]
Bm A E
Die willst du unsern Freunden zeigen.
E
Das langweilt mich
Bm A E D*
und dann würden wir streiten und öden uns jahrelang an.
E*
Und auch das Rennrad
D* E*
hätte daran nichts geändert.
A
Hmm hmm hmm.
F#m C#m D* E*
Hmm hmm hmm hmm hmm hmm
[Verse]
A F#m
Da geht er hin mit seiner Schnalle, sie passt sehr gut zu ihm.
C#m D* E*
Im Falle einer Trennung der beiden möcht ich wetten, sie bleiben
A
jeder nicht lang allein.
F#m C#m
Nur für mich bleibt alles beim Alten.
D* E*
Und ich kann die Katze behalten.
Bm A E Bm
Doch vielleicht kauf ich mir ein Rennrad und zieh in den Süden.
A E
Vielleicht wird da was draus!
Bm A E A
Denn es dort rum zu schieben sieht sehr gut aus.
F#m C#m D* E*
la la la la la la
[Chorus]
A F#m
Ich hab die Blumen weggeworfen und die Katze verschenkt,
C#m D* E*
lass uns aufbrechen, Baby!
A F#m
Ich hab die Wohnung abgeschlossen und den Schlüssel drangehängt,
C#m D* E*
steig auf dein Rad, wir fahren los!
A F#m
la la la la la la la la la la la la la la
C#m D* E*
la la la la la, Baby!
A F#m
la la la la la la la la la la la la la la
C#m D* E*
la la la, wir fahren los!
[Outro]
F#m D* E* A*
##############################################################################################################
SCREW YOU (SCRUBS)
- Kate Micucci
For this one we'll need some more fingerpicking action! I strongly suggest listening to the original, I think
it its much easier to get how it should sound than with a tabulature, but you do you.
Essentially we have more or less the same picking pattern per chord with some minor tweaks here and there.
The one for F and G are identical:
F G
G |----------------| G |----------------|
C |--------0-------| C |--------2-------|
E |-----1------1---| E |-----3------3---|
A |--0--------0----| A |--2--------2----|
The C is a bit different:
C
G |-----0------0---|
C |----------------|
E |--------0-------|
A |--3--------3----|
And the Em has a yet another different picking thing going on
Em
G |-----0------0---|
C |--------4-------|
E |--3-------------|
A |--2--------2----|
Lucky for you, you just have to fingerpick the Verses and Bridges, the rest is just normal strumming.
Have Fun!
[Verse]
C Em F G
I've got so many questions in my mind
C Em F G
I've got so many answers to find
C Em F G
Can you be the man I've imagined?
C Em F G
Am I imagical enough for this to happen?
[Bridge]
C
Cause I like you (I like you)
Em F G
I like you (I like you)
[Chorus]
F G
And like can lead to like-like
E7 F
And like-like can lead to love
C Em F G
Sure as the stars above I'd really like to kiss you (screw you) Oh...
[Verse]
C Em F G
Can I be the man you're looking for?
C Em F G
Can I be your girl forever more?
C Em F G
I'll try real hard not to lose her
C Em F G
And I'll try to be less of a loser
[Bridge]
C
Cause I like you (I like you)
Em F G
I like you (I like you)
[Chorus]
F G
And like can lead to like-like
E7 F
And like-like can lead to love
C Em F G
Sure as the stars above I'd really like to screw you, kiss you, screw you, kiss you
C
Screw you
##############################################################################################################
SKIN SOFA
- Jay Foreman
As mentioned in the intro: This song is in 5/8 time... so good luck I guess!
[Intro]
C B Em
Doo-doo-doo-doo doo-doo-doo-doo
Em
(also, just to fuck with you, I've put it in 5/8 time; count along kids!)
[Verse]
Em C
Can I interest anyone in my sofa?
D Em
It's cheap but it requires some extra care
Em Cmaj7 C
It gets rather sweaty between the cushions
B7 Em
So be sure to keep it clean down there
[Verse]
Em C
Sorry about the rash from where I've been sitting
D Em
And the blisters from where I spilt bolognese
Em Cmaj7 C
By the way it's not normally this hairy
B7 Em
I've not shaved it now for several days (it gets worse)
[Bridge]
C C
And if you do decide to wax it please exfoliate to
G G
Avoid ingrowing hair
C C
And leave the curtains closed or it'll get a sunburn
B7
Peeling everywhere oooooh it's got a nipple
[Verse]
Em C
It will keep you warm like no other sofa
D Em
But it comes out in goosebumps when it's cold
Em Cmaj7 C
All stains come right out with soap and water
B7 Em
Not too bad for eighty nine years old
[Bridge]
C C
And don't sit there for too long or you'll get a puddle
G G
Underneath your thighs
C C
I hope somebody takes it I don't want to know what
B7
Happens when it dies
[Outro]
Em
Skin sofa, skin sofa
C B7
eh eh eh eh eh eh eh eh eh
Em
Skin sofa, skin sofa
C D
eh eh eh eh eh eh eh eh eh
Em
Skin sofa, skin sofa
C B7 Em N.C.
eh eh eh eh eh eh eh eh eh eh eh eh eh eh eh eh (thank you very much)
##############################################################################################################
THE BOY IN THE BUBBLE
- Paul Simon
This one was rather difficult for me because of the quick chord changes throughout. As a little tip:
try to get the strumming pattern down first and dont try to match your singing to the chord changes as
mentioned in the tab. This is merely a rough estimation at times.
The crux however is that I am not able to write the strumming pattern down. I'm afraid you have to ask me,
if you want to know how I play it
G C E A
D 2 2 2 5
[Intro]
accordion only
| Am | Am C D | Am C D C D | C D |
| Am | Am C D | Am C D C D | C D |
full band
| Am | Am C D | Am C D C D | C D |
| Am | Am C D | Am C D C D | C D |
[Verse 1]
Am
It was a slow day
Am C D
And the sun was beating
Am C D C D C D D
On the soldiers by the side of the road
Am
There was a bright light
Am C D
A shattering of shop windows
Am C D C D C D D
The bomb in the baby carriage was wired to the radio
[Chorus]
G G C D
These are the days of miracle and wonder
G C D C D C D D
This is the long distance call
G G C D
The way the camera follows us in slo-mo
G C D C D C D D
The way we look to us all
G G C D
The way we look to a distant constellation
G C D C D C D D
That's dying in a corner of the sky
G G C D
These are the days of miracle and wonder
G C D C D C D D
And don't cry baby, don't cry, don't cry
[Interlude]
| Am | Am C D | Am C D C D | C D |
| Am | Am C D | Am C D C D | C D |
[Verse 2]
Am
It was a dry wind
Am C D
And it swept across the desert
Am C D C D C D D
And it curled into the circle of birth
Am
And the dead sand
Am C D
Falling on the children
Am C D C D C D D
The mothers and the fathers and the automatic earth
[Chorus]
G G C D
These are the days of miracle and wonder
G C D C D C D D
This is the long distance call
G G C D
The way the camera follows us in slo-mo
G C D C D C D D
The way we look to us all
G G C D
The way we look to a distant constellation
G C D C D C D D
That's dying in a corner of the sky
G G C D
These are the days of miracle and wonder
G C D C D C D D
And don't cry baby, don't cry, don't cry
[Interlude] (synth guitar licks)
| Am | Am C D | Am C D C D | C D |
| Am | Am C D | Am C D C D | C D |
[Verse 3]
Am
It's a turn-around jump shot
Am C D
It's everybody jump start
Am C D C D C D D
It's every generation throws a hero up the pop charts
Am Am C D
Medicine is magical and magical is art
Am C D
Think of the Boy in the Bubble
C D C D D
And the baby with the baboon heart
[Chorus]
G G C D
And I believe, these are the days of lasers in the jungle
G C D C D C D D
Lasers in the jungle somewhere
G G C D
Staccato signals of constant information
G C D C D C D D
A loose affiliation of millionaires and billionaires and baby
[Chorus]
G G C D
These are the days of miracle and wonder
G C D C D C D D
This is the long distance call
G G C D
The way the camera follows us in slo-mo
G C D C D C D D
The way we look to us all
[Chorus]
G G C D
The way we look to a distant constellation
G C D C D C D D
That's dying in a corner of the sky
G G C D
These are the days of miracle and wonder
G C D C D C D D
And don't cry baby, don't cry, don't cry
[Outro]
| G | G C D | G C D C D | C D |
| G | G C D | G C D C D | C D |
(repeat and fade)
##############################################################################################################
TIERE IM KAKAO
- Marc Uwe Kling
I would strongly encourage you to play the Ab with a bar chord (just slide the F# shape up by two frets).
C# Bbm F# Ab
Heyheyhey Baby, ich weiß nich genau,
C# Bbm F# Ab
aber ich glau-be, da sind Tiere im Kakao.
C# Bbm
Da sind Tiere im Mehl, da sind Tiere im Reis,
F# Ab
es sind Tiere im Zucker, oh man so 'n Scheiß
C# Bbm
Da sind Tiere im Tee, auch im Kaffee,
F# Ab
und ich glaube, dass sie auch in den Frühstücksflocken hocken, ohh
C# Bbm F# Ab
Heyheyhey Baby, jetzt weiß ichs genau,
C# Bbm F# Ab
da sind ganz schön viele Tiere im Kakao
C# Bbm
In der ganzen Küche fliegen die rum,
F# Ab N.C.
Heeeeeeyy Baby,
C# Bbm F# Ab C#
komm wir ziehn um. komm wir ziehn um
##############################################################################################################
VÄLJ MIG
-Billy Opel
[Intro]
C
[Verse]
C E Am F
Om jag var en fågel, som flög där opp i sig
C Am D G
Då önskade jag du sköt mig, så jag trilla ner till dig
E Am D G
Och om jag var en fisk ner på botten av en sjö
E Am G C
Önskar jag att du drog opp mig med ditt spö
[Chorus]
F C
För om jag fick välja nåt
G C
Skulle jag välja dig
F C
O-om du ska välja nåt
G C
Så hoppas jag du väljer mig
[Verse]
C E Am F
Om jag var en skurk som stal någon annans egendom
C Am D G
Önskar jag att du var den som satt mig bakom lås och bom
E Am D G
O-om jag var politiker och fiffla' fult och kallt
E Am G C
Önska jag att du var journalist och avslöja' allt
[Chorus]
F C
För om jag fick välja nåt
G C
Så skulle jag välja dig
F C
O-om du ska välja nåt
G C
Så hoppas jag du väljer mig
[Verse]
C E Am F
Om jag var en pilsner i mörkret i din kyl
C Am D G
Önskar jag du tände lyset och sprätta min kapsyl
E Am D G
O-om jag var en LP-skiva i din hylla du
E Am G C
Då kunde starta gramafon och sätta på mig nu
[Chorus]
F C
För om jag fick välja nåt
G C
Skulle jag välja dig
F C
O-om du ska välja nåt
G C
Så hoppas jag du väljer mig
[Verse]
C E Am F
Om jag var en traktor av ett lämplig fabrikat
C Am D G
Önskar jag du starta mig och fällde opp mitt aggregat
E Am D G
O-om jag var en bil en flådig bjoik utan tak
E Am G C
Önska jag du satt dig i och kände på min växelspak
[Chorus]
F C
För om jag fick välja nåt
G C
Skulle jag välja dig
F C
O-om du ska välja nåt
G C
Så hoppas jag du väljer mig
[Verse]
C E Am F
Om jag va dynamit, brevid en tunna med bensin
C Am D G
Önska jag du var den gnista som fjutta min stubin
E Am D G
Ja om våra vägar möttes vet jag hur det kunde bli
E Am G C
Då kunde vi nog skapa ett rejält fyrverkeri
[Chorus]
F C
För om jag fick välja nåt
G C
Skulle jag välja dig
F C
O-om du ska välja nåt
G C
Så hoppas jag du väljer mig
F C
Ja om jag fick välja nåt
G C
Skulle jag välja dig
F C
O-om du ska välja nåt
G C
Så hoppas jag du väljer mig
##############################################################################################################
WATCHING THE WORLD GO BY
- Beans on Toast
I like to add a little variation on the last D chord:
G C E A
D* 2 2 2 5
Well not much of a variation. It's more an alternative chord shape, but you get the gist. Enjoy!
[Verse]
D
Well, today feels like a Bob Marley song
G
I got the afternoon off, there's nothing going on
D
My head is in the clouds and the sun is in the sky
A D
Watching the world go by
D
And you have to admit that it looks fantastic
G
There's so many reasons to be optimistic
D
Savoring the moment of just being alive
A D
Watching the world go by
[Chorus]
G
Well, this is not a competition, it isn't a race
D
I got a spring in my step and a smile on my face
G
A head full of hopes and a handful of dreams
D
A heart so full that it's bursting at the seams
A D
And I... watching the world go by
[Verse]
D
I might drink a little wine, I might smoke a little weed
G
Go down to the river and see where it leads
D
There's no such thing as killing time
A D
Watching the world go by
D
And it feels so good just to unplug
G
You know, sometimes it's best to just turn that shit off
D
And marvel at the movement of a butterfly
A D
Watching the world go by
[Chorus]
G
Well, this is not a competition, it isn't a race
D
I got a spring in my step and a smile on my face
G
A head full of hopes and a handful of dreams
D
A heart so full that it's bursting at the seams
A D
And I... watching the world go by
[Instrumental break]
G D G D A D
(whistling)
[Chorus]
G
Well, this is not a competition, it isn't a race
D
I got a spring in my step and a smile on my face
G
A head full of hopes and a handful of dreams
D
A heart so full that it's bursting at the seams
A D
And I... watching the world go by
A D
And I... watching the world go by
[Outro]
G D A D D*
(whistling)
##############################################################################################################
WHERE DO YOU GET YOUR FOOD FROM GRANDMA?
- Jay Foreman
I unfortunately missremembered the verse and since like forever played a "Cdim7" instead of the correct "Bb9".
Since this is the Rolandlieder-Anthology I think I have to include this mistake though.
On the ukulele at least this works quite well. And if by chance Jay Foreman himself might stumble over this
now horribly deranged version of his song... I'm sorry, I really am.
[Chorus]
Am Am/G F7
Where d'you get your food from Grandma?
Am Am/G F7 E7
Though I'm grateful that you feed me a lot
Am E7
From the biscuits to the chocolate
C Am
To the tea bags to the crumpets
F7 E7 Am
You have products no one else has got.
[Verse]
F7 Am
In other people's houses they have Cornflakes and Kit Kats
F7 Am
But your cupboard hasn't any of these.
Cdim7
You give me unbranded malt flakes
Gm7
And mysterious wafers
E7
And uniquely semi-circular cheese.
[Chorus]
Am Am/G F7
Where d'you get your food from, Grandma?
Am Am/G F7 E7
I'm puzzled by the packets you buy
Am E7
I've never seen them on TV
C Am
Or in any supermarket
F7 E7
Yet you somehow have an endless supply.
[Trumpet Solo]
Am Am/G F7 F7
Am Am/G F7 E7
Am E7 C Am
F7 E7 Am
[Verse]
F7 Am
Come to think of it how long has that stuff been in your cupboard
F7 Am
And why do you always offer me more?
Cdim7 Gm7
How come we never see you eating any of it yourself?
E7
Have you been keeping it in there since the War?
[Outro]
Am Am/G F7 E7 Am
Where d'you get your food from, Grandma?
##############################################################################################################
To be continued_
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