Sukiyaki Ue O Muite Arukō Acordes

por Kyu Sakamoto
43.077 vistas, añadido a favoritos 335 veces
Dificultad: principiante
Afinación: E A D G B E
Cejilla: 7o traste
Autor: T.VO [a] 218.
2 colaboradores en total, última edición el 7 dic 2020

Acordes

C
Am
G
F
G7
Em7
Fm

Rasgueo

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Capo 7
 
[Intro]
C    Am    G    F G7
 
[Verse 1]
C     Am     C   Am
 Ue o mu-uite aruko-ou
C        Am     F     G
 Namida ga kobore nai yo-ou ni
C      G  Em7      Am
 Omoidasu haru no hi
F     G           C-Am-G-G7
Hitoribo-otchi no yoru
C     Am     C   Am
 Ue o mu-uite aruko-ou
C        Am      F     G
 Niji-inda hoshi o kazoe-e-ete
C      G  Em7       Am
 Omoidasu natsu no hi
F     G           C
Hitoribo-otchi no yoru
 
[Chorus 1]
F        F       C     C
Shiawase wa kumo no ue ni
F        Fm      Am    G
Shiawase wa sora no ue ni
 
[Verse 2]
C     Am     C   Am
 Ue o mu-uite aruko-ou
C        Am     F     G
 Namida ga kobore nai yo-ou ni
C        G  Em7   Am
 Nakinagara aru-uku
F     G           C-Am-G-G7
Hitoribo-otchi no yoru
C    Am    C    Am
 -whistling melody-
C    Am    F    G
 -whistling melody-
C      G  Em7    Am
 Omoidasu aki no hi
F     G           C
Hitoribo-otchi no yoru
 
[Chorus 2]
F         F        C       C
Kanashimi wa hoshi no kageni
F         Fm       Am      G
Kanashimi wa tsuki no kageni
 
[Verse 3]
C     Am     C   Am
 Ue o mu-uite aruko-ou
C       Am      F     G
 Namida ga kobore nai yo-ou ni
C        G  Em7  Am
 Nakinagara aru-uku
F     G           C-Am-G-G7
Hitoribo-otchi no yoru
F     G           C-Am-G-G7
Hitoribo-otchi no yoru...
 
[Outro]
C    Am   C    Am    C
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Sukiyaki Ue O Muite Arukō – Kyu Sakamoto
How to play
"Sukiyaki Ue O Muite Arukō"
Fuente
Transposición
5 comentarios
SamLighthouse
I think the verse sounds really better when you have a Dm instead of the G in the 3rd line of verse, and E instead of Em7. And as an option maybe a C7 at the end of the first line of the chorus. I don't know how the correction works here so I'll just post this comment
+1
T.VO
This tab is meant to be learned quickly, and I chose chords that sounded best for the circumstances where one would use basic chords and not have to transition into so many chords like in Ver. 1 and resolve the transposition with a capo on the 7th fret. I'm not knocking the other version, but think of my version as a simpler alternative to play. I kept the transitioning minimal and the chords simple, and with the surrounding chords of the chords I chose in mind. For example, the second "wa" in the chorus is Fm because it musically sounds better when it has to transition into the next chord Am, but you could still keep it F, and it sounds like an Fm in the original track. That said, all chords here are correct and a result of hundreds of plays and lots of studying of this song. Keep in mind, to match the track you'll need to capo on the 7th fret. Maguri - these chords sound correct with the capo on 7th fret, please be more musically competent. SamLighthouse - you can replace the G in the verse with Dm. You can also replace the Em7 with either E7 or E, both of which I have considered when writing the tab. The reason I went with Em7 was for simplicity of transitioning, it's a very "generic" chord that can be applied here to the tone of this song. Also, above the words "haru"/"natsu"/etc. you can use E-E7 or Em7-E7, just add an E7 on the second syllable after the first syllable's chord, whether you us E or Em7. Lastly, the C7 in the first line of the chorus can replace the C. It's all a matter of how you want to play and how you want the song to sound. My goal was to keep the transitions minimal and the chords very basic. Thank you for the constructive note. Samantic - the Fm is more optional, you can stick with the F if you'd like, either would be correct. The reason I chose Fm is because it sounded like a better transition musically, for the next chord Am. Also, it sounds closer to an Fm in the original track.
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holt.mody
Why would you put a capo on the 7th fret?
0